![]() Not the best animated movie ever made, but a surprisingly substantial film. Recommended for families looking for a well-made, clean movie that provides substance for good discussions. This isn’t a movie made for adults – it’s a kids’ film at heart – but as family entertainment, it succeeds marvelously, and even includes some surprisingly deep messages. Even the most jaded viewer will probably be entertained. I found myself enjoying it not just as an illustration of spiritual concepts, but as a good movie in its own right. A strong soundtrack, including selections from Michael Jackson, AC/DC, and Guns N’ Roses – is integrated with perfect comic timing. As previously noted, the animation and voice acting are top-notch. Third, the film shines on a technical level. Although the animators probably weren’t intending to convey a spiritual message, some of the predominant themes in “Megamind” are backed up in Scripture. These sinful actions may ultimately lead to a meaningless outcome, but people pursue them nonetheless – concerned only with the joys of the moment. The movie also highlights (in several ways that I won’t go into for fear of spoilers) the fact that all humans are basically self-serving and villainous at heart. Megamind’s initial despair over his lack of purpose is consistent with a Christian view of sin – it may be briefly pleasurable, but it fails to satisfy in the long run. Second, some of the messages in “Megamind” resonate on a Biblical level. the Shrek series.) It manages to be funny without being crass – a seeming challenge, but one that modern animation studios (Pixar et al.) are effectively overcoming. (This is a refreshing change from the innuendo found in earlier DreamWorks movies…e.g. There are a few moments of mild violence (as one might expect given the subject matter) but practically nothing that would put the movie off-limits for viewers of any age. But there are a few elements here that elevate “Megamind” above other DreamWorks endeavors.įor starters, this film is squeaky-clean. The voice acting is strong, and the film employs 3D effectively. On the surface, “Megamind” seems like little more than a slickly produced, well-made animated feature. Unfortunately, his designated recipient of superpowers turns out to be anything but a hero. Hoping to regain some sense of purpose, he decides to create a new superhero nemesis for himself. However, he quickly becomes discontented with his life of villainy. Megamind – although stunned at the inadvertent success of his plot – quickly takes over Metro City, wreaking havoc for the sheer fun of it. That is, until one of Megamind’s plans actually works – killing Metroman. The two quickly fall into a “comfortable” arrangement – Megamind kidnaps the pretty reporter Roxanne (voiced by Tina Fey) and Metroman subsequently saves her. Suffering from blue skin and a lightbulb-shaped head, he’s comfortable being demonized by the inhabitants of Metro City. ![]() On the other hand, his counterpart Megamind (voiced by Will Ferrell) emerges as his supervillain nemesis. The pampered infant grows up to be superhero Metroman (voiced by Brad Pitt) who makes a career out of doing good deeds. Their lives take very different courses from that point on. One falls into the care of a wealthy family, while the other lands in a prison. The film opens with a brief prologue: two super-powered infants are launched from exploding planets and fall to earth (a la Superman). “Megamind” is an entertaining, family-friendly adventure, that also has a few good things to say about good, evil, and human nature. ![]() All in all, though, I didn’t think it looked that good.įortunately, I was mistaken. That being said, the premise – two superpowered beings, Megamind and Metroman, choosing opposite sides and engaging in a never-ending series of showdowns – looked amusing enough. When I first saw the trailer for “Megamind” – DreamWorks Animation’s latest comedy-action adventure – I thought it looked like a shameless ripoff of “The Incredibles.” Both deal with superheroes, and the movies even use similar styles of animation.
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